Pat Benatar and Neil Giraldo met each other in 1979 for the first time, in a small rehearsal room at SIR studios in New York City. The rest as they say, “is history.” Pat Benatar’s staggering vocal range and Neil Giraldo’s trailblazing artistry as a guitarist, producer, songwriter and arranger, together forge the undeniable chemistry and unprecedented sound that created some of rocks most memorable hits, including “Love Is a Battlefield,” “Heartbreaker,” “We Live for Love,” “We Belong,” and the signature, “Promises in The Dark.” Together they have sold over 30 million albums worldwide and won an unprecedented, four consecutive Grammy awards. In 1982, Benatar and Giraldo were married and have two grown daughters. Their rock and roll love affair has endured for more than three and a half decades. Pat and Neil continue to tour, selling out concerts and wowing audiences everywhere. Theirs is a chemistry that will undoubtedly be thrilling music fans forever.

Over the past four decades, Rick Springfield has worn many hats as an entertainer and performer. The creator of some of the finest power-pop of the ’80s, a Grammy-winning singer, songwriter, and musician who has sold 25 million albums and scored 17 U.S. Top 40 hits, including “Jessie’s Girl,” “Don’t Talk to Strangers,” “An Affair of the Heart,” “I've Done Everything for You,” “Love Somebody,” and “Human Touch.” He’s an accomplished actor who has starred opposite Meryl Streep in the feature film "Ricki and the Flash," gave a chameleonic performance as the creepy Dr. Pitlor in HBO’s prestige drama "True Detective," earned great reviews for his portrayal of Lucifer this season on the CW hit, "Supernatural" and most recently played Pastor Charles on "American Horror Story." In 2014, Springfield was honored with a star on the Hollywood Walk of Fame, located around the corner from the first apartment he lived in when he first arrived in the U.S. from Australia in 1971. Rick’s latest Album “The Snake King” finds Rick traveling down a dusty dirt road to explore the blues side of his rock ‘n roll and marks a definite departure from the power pop he has been known for.